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Welcome to the Big Tiny Art SHOW





This is where you can preview the art for sale and get to know the artists.


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Jeanine Pennell



The faces I sculpt are products of my imagination. They have become an outlet for me to study and express emotions. While some may be dressed in costume, they exist on the brink of reality and fantasy. Each has their own personality and character by which they become exceptional and unique. They do not relate to specific people, but are rather the essence of my personal experiences. My sculptures are all hand built from paper clay or porcelain, bisque fired, painted with underglazes and glazes and fired to cone 6 in an electric kiln. | BowntownStudio.com



Charlotte Lindley Martin



I have been making pots for some 30 years, influenced by my English heritage that includes the folk traditions of Michael Cardew and the elegance of Lucie Rie. My work has brought together two additional qualities, those of the handmade pots used in my mother’s kitchen and the highly decorative flower laden vases that embellished my paternal grandmother’s house. | CharlotteLindleyMartin.com



Kathy Kobelin



Playing in mud as a child with her two older brothers was the beginning of Kathy Kobelin’s ceramics career. After earning degrees in education and applied arts, Kathy taught in a local school district before teaching children’s art at the Whitemarsh Art Center. Prior to the covid pandemic, she was the WAC’s Ceramics Program Coordinator and an adult ceramics instructor. Experimenting with food safe glazes and textured surfaces has always been a focus of her functional stoneware. Recently she has been using underglazes under clear glaze. Her wheel thrown pots are often altered or combined with hand built details.



Joselyn Kinstler-Ney



Joselyn Kinstler Ney was educated in New York City. She graduated from The High School of Music and Art as an art student. The Fashion Institute of Technology and Design where she excelled at flower painting. Her early working years were at Wamsutta Decorative Fabrics. There she designed and colored fabrics for the home. After raising a family, she developed then sold her Interior Design firm. Then she returned to Painting. She won first or second prizes for the last 5 years of the Summer Art program in Philadelphia. She won second prize in the Plein Air Art Contest at WAC; She won third prize in the Still Life competition; She won second prize in Animal painting. Her Artwork was foreordained, she says, by her ancestors - whose legacy is apparent by her Maiden name, Kinstler, German (or Austrian) for Artist.



Stefanie Lieberman



In order to best articulate my artistic expression through paint, I use a variety of painting techniques that include pallet knife, impasto brush work, scumbles and glazes along with paint splatter and scratching out. These paint applications allow for a more varied paint surface and mark making that enhances my representational subject matter.



Christine Walinski



This tiny painting stemmed from a previous series entitled “Yearning” which was about growing up in nature and the freedom that came with wandering in the woods, splashing at water’s edge and feeling the earth beneath my feet. After leaving the wooded and mountainous area of northeast Pennsylvania where I grew up, I was left with a certain longing for home and all that surrounded me. The use and play of color and negative space, the exploration of materials and textures and the use of images which invoke a sort of stillness and quiet reflection all play an important role in this body of work. Memories, comfort, solitude and home are woven in, using elements of nature, shelter and moments within the space of fleeting time, telling the story “I have been here before”. | ChristineWalinski.com



Christine Verga Maday



The two 6”x6” oil paintings included in this show, “Limeade” and "Lemon Drop”, were painted from a still life set up in my studio. My goals in these paintings were to observe the color and temperature changes on the subject. In addition to my studio work paintings both oil and watercolor, I paint plein air. Studying the light and quick moving shadows out doors, has enhanced my artistic decision making in the studio. | ChristineVergaMaday.com



Maura MaTTHEWS



I love to capture moments -- and this bird's nest found when I opened an awning was just that! I painted it on location with watercolors. Paintings are like puzzles to me and coming up with compelling compositions, contrasts and colors keeps me painting away, usually in oils with a palette knife. | PigsAlley.com



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